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Genesis Archive #1 1967-1975 |
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Typ: | | Box archiwalny | Liczba płyt: | |  | Czas trwania: | | 04:12:29 | Data premiery: | | 22 Czerwca 1998 | Pierwsze wydanie: | | Virgin GEN BOX 6 | Ranking fanów: | |  |
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| The Lamb Lies Down On Broadway czę¶ć 1 (na żywo) | |
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| 1. | The Lamb Lies Down On Broadway |  |  |  |  |  | 6:30 | |
| 2. | Fly On A Windshield |  |  |  |  |  | 4:36 | |
| 3. | Broadway Melody Of 1974 |  |  |  |  |  | 0:34 | |
| 4. | Cuckoo Cocoon |  |  |  |  |  | 2:15 | |
| 5. | In The Cage |  |  |  |  |  | 7:56 | |
| 6. | The Grand Parade Of Lifeless Packaging |  |  |  |  |  | 4:25 | |
| 7. | Back In N.Y.C. |  |  |  |  |  | 6:10 | |
| 8. | Hairless Heart |  |  |  |  |  | 2:30 | |
| 9. | Counting Out Time |  |  |  |  |  | 3:57 | |
| 10. | Carpet Crawl |  |  |  |  |  | 5:46 | |
| 11. | The Chamber Of 32 Doors |  |  |  |  |  | 5:51 | |
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| The Lamb Lies Down On Broadway czę¶ć 2 (na żywo) | |
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| 1. | Lilywhite Lilith |  |  |  |  |  | 3:03 | |
| 2. | The Waiting Room |  |  |  |  |  | 6:14 | |
| 3. | Anyway |  |  |  |  |  | 3:28 | |
| 4. | Here Comes The Supernatural Anaesthetist |  |  |  |  |  | 3:56 | |
| 5. | The Lamia |  |  |  |  |  | 7:18 | |
| 6. | Silent Sorrow In Empty Boats |  |  |  |  |  | 3:07 | |
| 7. | The Colony Of Slippermen |  |  |  |  |  | 8:47 | |
| | The Arrival | ??:?? | |
| | A Visit To The Doktor | ??:?? | |
| | The Raven | ??:?? | |
| 8. | Ravine |  |  |  |  |  | 1:36 | |
| 9. | The Light Dies Down On Broadway |  |  |  |  |  | 3:37 | |
| 10. | Riding The Scree |  |  |  |  |  | 4:29 | |
| 11. | In The Rapids |  |  |  |  |  | 2:24 | |
| 12. | it |  |  |  |  |  | 4:18 | |
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| 1. | Dancing With The Moonlit Knight |  |  |  |  |  | 7:00 | |
| 2. | Firth Of Fifth |  |  |  |  |  | 8:27 | |
| 3. | More Fool Me |  |  |  |  |  | 3:59 | |
| 4. | Supper's Ready |  |  |  |  |  | 26:33 | |
| | Lover's Leap | ??:?? | |
| | The Guaranteed Eternal Sanctuary Man | ??:?? | |
| | Ikhnaton and Itsacon and Their Band of Merry Men | ??:?? | |
| | How Dare I Be So Beautiful? | ??:?? | |
| | Willow Farm | ??:?? | |
| | Apocalypse in 9/8 (featuring the delicious talents of Gabble Ratchet) | ??:?? | |
| | As Sure as Eggs is Eggs (Aching Men's Feet) | ??:?? | |
| 5. | I Know What I Like |  |  |  |  |  | 5:35 | |
| 6. | Stagnation |  |  |  |  |  | 8:50 | |
| | Nagranie BBC 1971 | | |
| 7. | Twilight Alehouse |  |  |  |  |  | 7:45 | |
| | Strona B singla "I Know What I Like" | | |
| 8. | Happy The Man (singiel, 1972) |  |  |  |  |  | 2:46 | |
| 9. | Watcher Of The Skies |  |  |  |  |  | 3:42 | |
| | Strona A singla wydanego tylko w USA (wersja remiksowana) | | |
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| 1. | In The Wilderness |  |  |  |  |  | 2:59 | |
| | wersja bez smyczków 1968 | | |
| 2. | Shepherd |  |  |  |  |  | 4:00 | |
| 3. | Pacidy |  |  |  |  |  | 5:42 | |
| 4. | Let Us Now Make Love |  |  |  |  |  | 6:13 | |
| 5. | Going Out To Get You |  |  |  |  |  | 4:53 | |
| | demo 1969 | | |
| 6. | Dusk |  |  |  |  |  | 6:13 | |
| | demo 1969 | | |
| 7. | Build Me A Mountain |  |  |  | ?? |  | 4:12 | |
| | nierówny mix 1968 | | |
| 8. | Image Blown Out |  |  |  | ?? |  | 2:11 | |
| | nierówny mix 1968 | | |
| 9. | One Day |  |  |  |  |  | 3:08 | |
| | nierówny mix 1968 | | |
| 10. | Where The Sour Turns To Sweet |  |  |  |  |  | 3:14 | |
| | demo 1968 | | |
| 11. | In The Beginning |  |  |  |  |  | 3:31 | |
| | demo 1968 | | |
| 12. | The Magic Of Time |  |  |  | ?? |  | 2:03 | |
| | demo 1968 | | |
| 13. | Hey! |  |  |  | ?? |  | 2:27 | |
| | demo 1968 | | |
| 14. | Hidden In The World Of Dawn |  |  |  | ?? |  | 3:10 | |
| | demo 1968 | | |
| 15. | Sea Bee |  |  |  | ?? |  | 3:04 | |
| | demo 1968 | | |
| 16. | The Mystery Of The Flannan Isle Lighthouse |  |  |  | ?? |  | 2:35 | |
| | demo 1968 | | |
| 17. | Hair On The Arms And Legs |  |  |  | ?? |  | 2:42 | |
| | demo 1968 | | |
| 18. | She Is Beautiful |  |  |  |  |  | 3:47 | |
| | demo 1967... póĽniej "The Serpent" | | |
| 19. | Try A Little Sadness |  |  |  |  |  | 3:19 | |
| | demo 1967 | | |
| 20. | Patricia |  |  |  |  |  | 5:42 | |
| | demo 1967 - wczesna, instrumentalna wersja "In Hiding" | | |
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| Tony Banks: | Electric piano, organ, synthesizer, mellotron, 12-string acoustic guitar, vocals, backing vocals |
| Phil Collins: | Drums, percussion, vocals, lead vocals on "More Fool Me" |
| Mike Rutherford: | Bass, 8 string bass, electric 12-string & acoustic 12-string guitar, bass pedals, backing vocals |
| Steve Hackett: | Acoustic 12-string, acoustic 6-string & electric guitar |
| Peter Gabriel: | Vocals, flute, bass drum, tambourine, percussion |
| Anthony Phillips: | Acoustic 12-string & electric guitar, backing vocals |
| John Silver: | Drums on (CD 4) tracks 1, 7, 8 & 12 |
| John Mayhew: | Drums on (CD 4) tracks 3, 4 & 5 |
| David Thomas: | Backing vocals |
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| Collated, engineered and remixed: | Nick Davis & Geoff Callingham. | | |
| Technical assistance: | Mike Bowen. | | | Management: | Tony Smith, Carol Willis Impey, hit&run® music ltd. | | | Executive producer: | Glen Colson. | | | Co-ordinators: | Steve Pritchard / Simon Hopkins. | | | Design & art direction: | Wherefore ART? | | | Booklet cover photograph: | Etienne Bol. | | |
| Archive photographs: | Armando Gallo, Barrie Wentzell, Richard McPhail, Steve Lovell-Davis, Paddy Summerfield, Tony Banks, Mike Rutherford and anonymous others. | | |
| This production would not have been possible without the contribution of the following: Dale Newman, Steve Jones, Joanne Greenwood, Annie Parsons, Alan Hewitt and Pete Morton (The Waiting Room), Pete Scriven. | | |
| (CD 1/2) All tracks written & performed Banks / Collins / Gabriel / Hackett / Rutherford. Recorded 24.1.1975 at The Shrine Auditorium, Los Angeles. Published by © 1974 Genesis Music Limited hit&run® (Publilshing) Ltd. | | |
| (CD 3) tracks 1,2,3,4,5,8,9 written & performed Banks / Collins / Gabriel / Hackett / Rutherford | | | © 1973 Genesis Music Ltd / hit&run® Music (Publishing) Ltd. | | |
| (CD 3) tracks: "Stagnation" and "Twilight Alehouse" written Banks / Gabriel / Phillips / Rutherford | | | published by © 1972 Stratsong Ltd (Carlin) | | |
| (CD 3) tracks 1, 2, 3, 4, 5 recorded 10.20.1973 at Rainbow Theatre, London | | |
| (CD 3) "Stagnation" recorded for Sound Of The Seventies 10.5.1971 and first broadcast 31.5.1971. | | | Producer: Pete Dauncey; Studio Engineer: Adrian Revill. © BBC 1971. Released by arrangement with BBC Worldwide Ltd. | | |
| (CD 4) All tracks written & performed Banks / Gabriel / Phillips / Rutherford. | | | Additional players: John Silver, John Mayhew. | | |
| (CD 4) tracks 1, 9, 10, 11 published by Jonjo Music Ltd © 1967 | | | (CD 4) tracks 18, 20 released with different lyrics by Jonjo Music Ltd © 1967 | | | (CD 4) tracks 7, 8, 12, 13, 14, 15, 16, 17, 19, Jonjo Music Ltd © 1967 | | |
| (CD 4) tracks 2, 3, 4 "Shepherd", "Pacidy", "Let Us Now Make Love" recorded for Nightride 22.2.1970 and first broadcast 31.5.1971 Producer: Alec Reid; Studio Engineer: Nick Gomm © BBC 1970. Released by arrangement with BBC Worldwide Ltd. | | |
| (CD 4) tracks 2, 3, 5 Genesis / hit&run® Music (Publishing) Ltd.
| | | (CD 4) track 4 Genesis / Anthony Banks Ltd / Anthony Phillips Productions Ltd / Michael Rutherford Ltd / hit&run® Music (Publishing) Ltd / Real World Music Ltd. | | |
| (CD 4) track 6 © 1970 published by Stratsong Ltd (Carlin). | |
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| Nagrania z The Shrine Auditorium, były jedyn± wersj± wielo¶cieżkow± koncertu z trasy The Lamb Lies Down On Broadway. Niestety ostatni utwór musiał zostać nagrany ponownie w studiu, ponieważ podczas rejestracji tego koncertu zabrakło ta¶my, mimo że dysponowano sprzętem przygotowanym na kontynuowanie nagrań. Tony Banks obawia się że inżynier dzwięku musiał zasn±ć...
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| W wielu nagraniach koncertowych dokonano wielu dubli. Szczególnie w partiach wokalnych Petera Gabriela, który ze względu na skomplikowane stroje i maski nie mógł na koncercie swobodnie ¶piewać, a także partie solowe Steva Hacketta w utworach: Riding The Scree, The Lamia, Firth Of Fifth oraz Dancing With The Moonlit Knight.
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| W utworze Firth Of Fifth brak fortepianowego wprowadzenia Tony Banksa. Jest to spowodowane tym, że Tony do¶ć często mylił się wykonuj±c tę czę¶ć. Jednak kiedy¶ całkowicie się pogubił, przerwał i powiedział "co¶ brzydkiego". Nie byłoby może w tym nic nadzwyczajnego gdyby nie fakt, że na widowni tamtego wieczora był jego ojciec... Nie wiem czy od tego momentu, ale Tony w końcu zrezygnował i zaprzestał prób wykonywania tej partii. Dodać należy jeszcze, że Banks dysponował wtedy instrumentem muzycznym dosyć marnie imituj±cym fortepian i na koncertach feralne wprowadzenie brzmiało niemal zabawnie. | |
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