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...And Then There Were Three... |
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| Typ: | | Album studyjny | | Liczba płyt: | |  | | Czas trwania: | | 53:12 | | Data premiery: | | Kwiecień 1978 | | Pierwsze wydanie: | | Charisma CDS-4010 | | Ranking fanów: | |  |
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| 1. | Down And Out |  |  |  |    |  | 5:25 | |
| 2. | Undertow | | | | |  | 4:47 | |
| 3. | Ballad Of Big | | | | |  | 4:47 | |
| 4. | Snowbound | | | | | | 4:30 | |
| 5. | Burning Rope | | | | | | 7:07 | |
| 6. | Deep In The Motherlode | | | | | | 5:14 | |
| 7. | Many Too Many | | | | | | 3:30 | |
| 8. | Scenes From A Night's Dream | | | | |  | 3:30 | |
| 9. | Say It's Alright Joe | | | | | | 4:18 | |
| 10. | The Lady Lies | | | | | | 6:05 | |
| 11. | Follow You Follow Me | | | | | | 3:59 | |
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| 1. | The Day The Light Went Out | |  | | | | 3:10 | |
| | (strona B singla "Many Too Many") | | |
| 2. | Vancouver | | | | |  | 2:58 | |
| | (strona B singla "Many Too Many") | | |
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| Tony Banks: | Organs, keyboards, pianos, backing vocals |
| Phil Collins: | Drums, percussion, lead / backing vocals |
| Mike Rutherford: | Guitars, basses, bass pedals, backing vocals |
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| Produced by | David Hentschel and Genesis | | | Engineered by | David Hentschel | | | Recorded at | Relight Studios, Hilvarenbeek, Holland | | | Assisted by | Pierre Geofroy Chateau | | | Mixed at | Trident Studios, London | | | Assisted by | Steve Short | | |
| Equipment: | Geoff Banks, Andy Mackrill and Dale Newmam | | |
| Thanks to | Tony Smith, Peter Booth and all at Relight and Trident | | |
| Sleeve Design and Photographs: | Hipgnosis | | |
| All tracks published by (C) 1978 Gelring Ltd / Hit & Run Music (Publishing) Ltd | | |
| Remastered at | The Farm and Abbey Road by Nick Davis, Geoff Callingham and Chris Blair | | |
| Dane pochodzą z albumu: CDSCDX 4010; 7243 8 39891 26 3; Made in Holland | |
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| Moje pierwsze przemyślenie na jego temat: Gdyby na tym albumie znalazło się parę urozmaiceń typu różnych dodatkowych efektów dźwiękowych (takich jak np. w Pink Floyd), byłby to jeden z najlepszych albumów Genesis. Tak jest jednym z najlepszych, tylko, że czasem może denerwować jego charakterystyczny nieco monotonny i nieurozmaicony (właśnie!) styl. Według mojej oceny letnio-zimowej, jest to album zimny, czyli zimowy.
Bartek Bartosiński - Ocena:  | |
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